Tricia Bagstad

Ramsey, MN

2019 Booth #

© Tricia Bagstad

© Tricia Bagstad

I use Sterling Silver, Copper, Antique Brass & Colored wire from 16 gauge to 28 gauge with Furnace Glass, Swarovski Crystal, Stones, Czech Glass,Lampwork or polymer clay. To achieve a design a number of assorted pliers, mandrels, files, jigs(to coil wire)cutters & hammers are used. In my
colored Crayon Collection I use 1 1/2" balled head pin,add pewter daisy spacer,
cut & add coiled wire, add another daisy spacer & place on sterling silver chain & loop wire and wind around top twice, cut & tuck wire. When making mirror image wires for Earrings I hold 2 wires together and form design so wire is exactly the same on each earring.When Texturing wire I make short chopping motions using different hammers & when feathering wire I make long strokes. I paint some of my Antique Charms and wipe off so most of the color is darker in the crevices in my Antique Brass collection.I love copper wire as it is so workable,can be left the copper color or can patina for a different effect.

Lily Kavanaugh

ilo studio

Minneapolis, MN

© Lily Kavanaugh

© Lily Kavanaugh

2019 Booth #73

Offering both a core collection and one of a kind modern hand fabricated jewelry in brass, silver gold and stone. ILO strikes a balance between staple and statement jewelry, toeing the line between modern art pieces and ancient artifacts. With striking, timeless design, each ILO piece gives its wearer a feeling of power and elegance.

Chelsea Rudie

Maple Grove MN

2019 Booth #139

© Chelsea Rudie

© Chelsea Rudie

My creative journey with alcohol inks began with my mother. Always the artist, my mother spent the recent years refining her painting skills, and delving into the world of alcohol inks. She created beautiful things, and was beginning to experience success in local art fairs and a local gallery space. 

The inks and other materials sitting unused felt wrong and sad. Art should be made, shared, and loved with these, I thought. So, I took some materials to my home, and gave it a whirl. I loved how the inks appeared alive, and moved on the ceramic tiles. The vibrant colors made me smile, and watching them spread of their own will was mesmerizing.

I have since learned to manipulate the inks using an airbrush and isopropyl alcohol to encourage movement in specific ways. I enjoy designing stencils to create works with negative space and create balance between solid white or black and the vibrancy and depths of colors. I use a variety of substrates to showcase the inks in novel ways.

Ann Aas

Chanhassen MN

2019 Booth #7A

© Ann Aas

© Ann Aas

I love playing with fire and unpredictable and endless possibilities of glass fused to metal. I begin with hand cut or stamped copper or brass. Some shapes require punching, pinching or fold forming to prepare them for enameling. I use a mapp gas torch and the immersion method to fuse the glass to the metal. Each piece is heated with the torch and then dipped in the crushed glass. This process is repeated 4-12 times depending on the size of the piece. A variety of techniques are used to add surface interest. Some are finished with a coarse glass called frit, some have ceramic decals fused into the surface while others are finished with an enamel silk screen. Hand painting is used to create multi color designs. I use riveting, wire wrapping and knotting to finish my pieces. My pieces include earrings, bracelets pendants and statement necklaces 

Shandor Madjar

Colorado Springs CO

2019 Booth #41

© Shandor Madjar

© Shandor Madjar

I like to view myself as a multi-skilled jewellery Artist specialising in Wax Sculpting, Metal-smithing, & the application of Mechanical Engineering to Jewelry. For 23 years I have enjoyed creating clever ways of “Movement”. Whether it’s a turning wheel, flower petal spinning, multi hinged clasp system for Arthritic Fingers or Multiform Pendant that can be worn five different ways, I enjoy the challenge of creating different mechanical wearable works of art.
My Concepts include: Sterling Silver & 14k Gold Multifunctional Dynamic Designs that can be worn Multiple Ways. Pendants that become Rings, Kinetic Wearable Sculpture, Rings that open or change diameter size for Arthritic Fingers
.The Process of "Lost Wax Casting" is the primary way of creating my work. I first start with the most difficult part, the Concept/Idea. Then moving onto Drawings, Wax carving and Sculpting. Then "Lost Wax Casting", Soldering Hinges, Stone Setting, & finishing with Final Polishing

Kristin Wornson

Skipping Lilies
Minneapolis, MN
2019 Booth #137

I am a local independent jewelry artist, integrating collected natural elements & botanicals in small glass pendant vignettes. My focus is on illuminating the captivating beauty of the natural world & inspiring people to look closer at it.  

Each piece is one-of-a-kind, crafted entirely by me, using plants & natural elements I have collected & preserved. I use hand-rolled colored glass, silver solder & sterling silver - drawing from both traditional stained-glass methods I learned from my grandfather, along with an ever-expanding arsenal of traditional & contemporary metalsmithing techniques. With a background in biology that has included (& includes!) fieldwork in places as far off as the Amazon & Antarctica, I bring my love of science & conservation to my work & process. I hope my jewelry can serve as a unique representation of the beauty inherent in wild places & an homage to the tiny plants & wonders that inhabit them.

© Kristin Wornson

© Kristin Wornson

Sally Phillips

Indianapolis, IN
2018 booth #49

I use heavy gauge 14kt gold filled and solid sterling silver metals in my wirewrapped bracelets, earrings, rings, pendants and cuffs. Each piece is made one at a time. They are given a hand application of patina, is buffed, burnished then given a final polish. Thee look is classic and timeless and is meant to be worn every day. My jewelry goes well with casual as well as more formal attire.

© Sally Phillips

© Sally Phillips

Linda Banning

LB Originals
Minneapolis, MN
2019 booth #144

© Linda Banning

© Linda Banning

I was raised in Wisconsin along the beautiful St. Croix River. At the University of Wisconsin,     I studied art and earned my Bachelor’s degree. Because of my longing for creative expression, I started working in stained glass in 2000 while living in St. Paul, MN. I was drawn to this medium because of the play of light and color and the use of line and texture. I began creating one-of–a-kind abstract window pieces. 

Each type of glass I use brings its own uniqueness and depth to the work. I use stained glass for variety in color and texture and started using bottle glass in 2007 after my local glass recycling program ended. I had a personal mission to save some bottles from the landfill. Plus, finding bottles with interesting enameled or embossed graphics is so much fun! So much fun that in 2016, I started incorporating aluminum cans and opened up a whole new world of possibilities!


I personally design and hand-craft each piece of jewelry. The glass is hand cut and ground smooth to shape and size. Stained glass is wrapped in copper foil and soldered. Bottles are ground smooth and drilled to affix findings. By cold-working the bottles, I’m able to retain the original graphics and natural curve. I hope you enjoy my work!

Jan Raven

Wausau, WI

2019 Booth #47

My creative process is driven primarily by my need to create patterns and texture with wire, and much of my focus remains with the timeless spiral shape. My work is created by using 14 karat gold-fill and Argentium silver, a patented, tarnish-resistant alloy of sterling silver. The silver is fused and forged in some designs, and all shaping is done by hand or with the aid of small hand tools. Elements of each design are woven together by hand with small-gauge wire. Necklace chains are woven entirely by hand with long lengths of wire; the weaving technique itself dates to the Viking era. The techniques I use are historically based or are derived from textile work. All components are made by me.


Barbara Hamberg

Desert Snow Designs

Albert Lea, MN

2019 Booth #59

Color is what truly enlivens me and I use it gleefully in my art. I coil, bend, twist, flatten and form wire, which once began simply straight, along with hammering and texturing sterling silver. I also use semiprecious and precious stones, copper, anodized aluminum, crystal, and lampwork glass.


© Barbara Hamberg

© Barbara Hamberg

Julie Johnson

Feat of Clay

Blaine, MN

2018 booth #90

I create, using polymer clay, wearable art–not just jewelry! I adapt to color & fashion trends beyond the limitations of most other jewelry artists. My jewelry is functional, fun, trendy-one-of-a-kind. It is unique, hand-made, created one piece at a time with love & finished with great care. Wherever possible it is signed. Years of master-level training & experience enable me to create intriguing shapes (some with kinetic movement), incorporate interesting & unusual findings to create one-of-a-kind items of wearable art. My work demonstrates a high-level of proficiency with surface techniques. My work expresses a passion for originality & color – especially color! I custom-blend my colors for every project. I frequently incorporate my original art into a design. Repeat buyers come to my booth, often wearing a piece they purchased previously. I’m so appreciative of their support & they personally challenge me to stretch my horizons & continue my exploration of the medium.



© Julie Johnson

© Julie Johnson

Annette Wilson

Artful Romp Studio

Maplewood, MN

2018 booth #120A

Hand Made Sterling Silver Jewelry, primarily necklaces & earrings. Many pieces have stones, some have other interesting materials such as photos, buttons, copper, shells, etc. Techniques: soldering, texturing (hammer or rolling mill), hand sawing & forming, press forming & cutting.


© Annette Wilson

© Annette Wilson